Rigging & Circus
Gavin Smith
Check out our Products for Aerial Rigging, Circus, Burlesque and aerial performance in general.
See our Products and Services in Action
Helicopter stunt rigging and action sequences demand the highest levels of safety and we provide products, services and advice for the safe delivery of action for feature films, television commercials, live events and promotional events.
Rigging equipment is selected and designed for a specific application. Each item of equipment is a critical link in any assembly and is only as good as the weakest link as we say. The best way to prevent a link break-in that chain is to employ a proactive approach to the care, use, handling, selection and maintenance and inspection.
We take a look at our latest adventure in travel and design, where we get to experience the Maldives and all the challenges and possibilities it has to offer. The outdoor Aerial Rigging project, for our clients Singha Estate Consulting and Hard Rock Hotel Maldives
Aero Motion Australia designs and fabricates custom-built aerial rigging equipment and stunt rigging hardware. All of our designs have come from the industry needs for high-performance equipment used for dynamic aerial rigging and flying stunts. We explore the fine art of aerial apparatus design and the processes involved to fabricate and test our products
The Aerial Lab was founded in 1999 to research and develop aerial rigging concepts and performances. It inspired the creation of a new artistic syllabus and methodologies for traditional and contemporary circus and stunt performers and riggers.
Our designs for rigging systems and equipment have put us ahead of the competition. We appreciate the fine details of aesthetics, the structural integrity and the modular approach to the use of the rigging system.
Our ethics and values of working in high risk creative environments provide our clients with the safest and robust rigging system design, training and equipment anywhere in the world today.
Perfecting the Lyra is all about the process from start to finish. Every step is meticulously crafted to give our Global Circus Aerial Artists the very best in safety and quality.
Our range of engineered ropes can be customised to your specific application. No other company in the world today takes the safe and pragmatic approach to design, selection and use as we do and that’s why the big guys look to us for procurement of the finest hand built equipment anywhere in the world today. What ropes are you using?
Aerial nets are an apparatus that can be as flexible as you are, they wrap and hold the artist in ways no other aerial apparatus can.
UPDATE- First batch of 50 have been machined and finished, all that is left to do is laser engraving and engineering approvals and we will announce the release date for sale of the Fast Rope Device Blacktails.
Custom trapeze, aerial hoop and other apparatus are perfect to customise with pearl shell inlay or any other paint effects. Here we look at how we did it.
The oldest know circus apparatus is the bamboo pole, so we took this simple approach and applied it to designing a flying pole, made from brass or bamboo.
The aerial love heart is a custom design made to measure. We splice ropes directly to the bar and give it a good coat of red hot paint!
The year 2000 was an exciting time to be in Sydney as an aerial rigger and performer. We contributed to many productions of film, tv, circus and live theatre.
Aero Motion offers professional consultative services to major venues and events Australia wide and Internationally.
Aero Motion specialises in designing aerial performance for physical theatre and large scale outdoor events. Aerial rigging designer and project manager for Australian and International Arts Companies.
Aero Motion has spent decades performing and designing the high risk rigging aspects of aerial physical theatre for Erth and other arts companies Australia wide and across the world.
During our time on tour with Cirque Du Soleil, we've seen many cities and countries around the world from a new perspective, the challenges of building a show every 6 weeks in a new city definitely is not an easy one.